Gaston and Le Fou’s friendship is many things: Complicated and co-dependent, kind of weird, and definitely one of the greatest antagonist pairings in Disney history. It’s easy to see why they’re friends, but it’s difficult to imagine how this odd couple came together in the first place. That’s where this new claymation short film comes in. A collaborative effort between Disney, Tongal and Young Storytellers, the short — created by a 12-year-old boy — imagines how Gaston met Le Fou, and gives us a little bonus “Gaston” song action.
Could this be it? Could Rough Night be the hilarious female ensemble comedy successor to Bridesmaids? A handful of films have made that promise since 2011; few have succeeded, many have disappointed, but Rough Night seems like a real winner based on this great red band trailer — appropriately released on International Women’s Day, no less. Starring Scarlett Johansson, Kate McKinnon, Ilana Glazer and Jillian Bell, you could hardly ask for a better ensemble of funny women.
To say that the first trailer for Beauty and the Beast was evocative of the 1991 animated classic would be an understatement; it was a live-action carbon copy, and if Disney’s remake of Cinderella was any indication, we were in for yet another tedious — if visually stunning, well-acted and beautifully-designed — exercise in nostalgia-based capitalism. But Bill Condon’s live-action update of Beauty and the Beast is more reimagining than remake, a lavish and lovely take on a familiar tale (as old as time, no doubt) that enriches its source material without betraying it, embellishing a cherished antique with modern ideas.
Perhaps even more incredible than Envelopegate is how quickly the whole thing escalated, and our collective fascination with what instantly (and maybe inarguably) became the most memorable Oscar moment of all time. (To be fair, America was in desperate need of a distraction.) Faye Dunaway and Warren Beatty’s Best Picture envelope mixup is the best-worst thing to happen to the Oscars in years, but it’s not a mistake they’re eager to repeat; according to a new report, they’re considering a possible solution, which they’ll get around to as soon as they finish exhaustively scrutinizing this tweet.
DreamWorks and Universal’s surprise animated hit is — unsurprisingly — getting a sequel. The news comes on the heels of Justin Timberlake’s charismatic opening number at the 2017 Oscars earlier this week — something most of you probably forgot all about at least two hours before Envelopegate even happened, somewhere between candy parachutes and that weird tour bus interlude.
It was the Best Picture Winner announcement heard ’round the world; for just a brief, hilariously awkward moment in time, when La La Land was erroneously declared the big winner of Oscar night 2017, we forgot all about our current political turmoil and embraced the total madness of Envelopegate. How could such a ridiculous mixup happen? The explanation for the confusion is fairly simple, but, in a twist befitting the ongoing insanity of this whole debacle, the dependable accountants of PricewaterhouseCoopers may have predicted their own error just days before the awards. The plot thickens.
Start marking your calendars now (and apologize to your loved ones in advance for your lack of interaction) because Netflix is looking pretty stacked in March. In addition to the usual assortment of recent releases, old favorites and contemporary classics, next month brings premieres of new Netflix Original series like Love Season 2, Grace and Frankie Season 3, and — last but far from least — the latest addition to Marvel’s Defenders lineup.
Although pre-production on Phil Lord and Chris Miller’s young Han Solo spinoff has been underway for some time now (operating under the clever codename “Red Cup”), today marks the full, official start of production. To celebrate, Lucasfilm has debuted the first photo of the cast and their directors, crammed together inside the cockpit of the Millennium Falcon as if posing for a very cheerful (if a bit tardy) holiday greeting card.
There are different lines of thinking when it comes to putting up your Christmas tree — some families wait until the day after Thanksgiving, some until the first day of December. In recent years, I’ve taken to waiting until the first Love Actually hot take inevitably hits the internet. 14 years later, the critical debate over Richard Curtis’ festive rom-com has become a holiday tradition in its own right, and now we’re getting even more Love Actually to love…or hate.
In the world of Star Wars fandom, the simplest, smallest things can have major implications, inspiring exhaustive speculation over their potential meaning — like, for instance, Lucasfilm’s recent updates to Kylo Ren and Rey’s official character bios. Those pages were quietly updated sometime in the last few months to include phrases that convey a direct connection between the two characters; one that seemingly goes beyond their on-screen encounters in The Force Awakens. But what does it all mean?
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