E. Oliver Whitney is a senior editor at ScreenCrush. When not talking Game of Thrones theories or waiting for the next Terrence Malick film, Oliver is probably having an SVU marathon. Oliver was formerly an entertainment editor at Huff Post and has written for Variety, New York magazine, Indiewire, Moviefone, and Backstage.
E. Oliver Whitney
First Look at Will Ferrell and John C. Reilly’s ‘Holmes and Watson’
Check out the first official photo of the Sherlock Holmes parody from the ‘Step Brothers’ duo.
The Oscars Is Adding a New Category for ‘Popular Film,’ Whatever That Means
The Academy Awards is making some major changes, and adding a new category for the best ‘popular film,’ whatever that means.
Eighth Graders Can Finally See Bo Burnham’s ‘Eighth Grade’ This Week, and For Free
Best of all, audiences of all ages can see the R-rated ‘Eighth Grade’ for free across the U.S. this week.
Shocker: ‘American Horror Story’ Renewed For Season 10, Will Outlive Us All
Surprise surprise – we’re getting more ‘American Horror Story’ until the end of time!
Chris Hardwick Returning to AMC’s ‘Talking Dead’ After Sexual and Emotional Abuse Allegations
After he was accused of sexual and emotional abuse by his ex-girlfriend, ‘Talking Dead’ host Chris Hardwick is returning to the after-show.
Godzilla Is Back in First ‘King of the Monsters’ Trailer at Comic-Con
Godzilla is back, alongside Mothra, Rodan, and King Ghidorah, in the first trailer for the monster sequel.
10 Things About ‘Mamma Mia! Here We Go Again’ That Make No Sense
The ‘Mamma Mia!’ movies aren’t supposed to be logically coherent, but the new sequel is absolutely bananas.
‘Rugrats’ Is Coming Back To Nickelodeon in a New Series, Plus a Live-Action Film
Tommy, Chuckie and their toddler pals are coming back!
An Animated ‘Wizard of Oz’ Retelling Is Happening, But From Toto’s Perspective
Have you ever wanted to experience ‘The Wizard of Oz’ from Toto’s perspective?
‘Eighth Grade’ Review: One of the Year’s Best Movies Heartbreakingly Captures the Hell of Adolescence
Comedian Bo Burnham’s feature film debut is a coming-of-age tale about the nightmare of young adolescence, and it’s one of the year’s best movies.